HM Magazine Intern Diary: 6.22.09

Music Monday lived up to its name once again. Here’s a short list of either new albums or new bands I listened to today: Showbread – The Fear of God, We Came As Romans – Dreams EP, Alexisonfire – Old Crows / Young Cardinals, The Color Morale, Alesana – Where Myth Fades to Legend, Mr. Del – Thrilla, Shadows Fall – Retribution and Darkest Hour – The Eternal Return. What do you think about a Darkest Hour “So and So Says” article by the way? Apparently one member was born to a former Catholic nun who left the convent to give birth to him and he loves talking faith.

I guess I have a ton of new material for the next time I’m driving in Miami and want to blare some aggressive music with my windows down. (That happens a lot by the way – have you met Miami drivers?!) Personal favorite album for that is Go West Young Man, Let The Evil Go East by Greeley Estates. They’re writing their new record right now, I cannot wait for it. I liked their old stuff but I love the heavier sound and more complex song structures they introduced with Go West. It would make my year if they made a guest appearance at Warped Tour next week. C’mon, Texas is right next to Arizona, right?

Speaking of Warped, Tornado stopped by with some of her famous baked goods and she’s hopefully coming along to Warped in San Antonio July 2. If Kelly’s able to come, that’ll be fun the three of us going. If you’re in Texas, you should meet up with us there!

I checked out the lineup tonight so we could make interview requests and there are a lot of bands I’ve never seen but am excited to check out live. My list of requests includes: A Skylit Drive, Alexisonfire, Dear and the Headlights, Saosin, Scary Kids Scaring Kids, The Devil Wears Prada, There For Tomorrow, Thrice and Underoath. I’m hoping to get maybe three of those haha. But at least hopefully I can get a photo credential for most of them.

I guess putting a Bud Light girls cardboard cutout in Kelly’s office didn’t scare her away, so we’ll have to try harder this week to convince her we’re chauvinist pig dogs. I’ll update you on our progress.

Hazing is just another way of saying “good, clean, all-American fun for everyone involved,”
Corey Erb

“Some people without brains do an awful lot of talking, don’t they?” – The Scarecrow, The Wizard of Oz (my aunt sent me a card with that quote on it – kinda too close to describing me for my liking…)

HM Magazine Intern Diary: 6.18.09

You may have heard me mention the mewithoutYou show in my last post or by reading one of my 341 Tweets from the venue, but in case you wanted more about that show, you’re in luck!

First off, let me say that Aaron Weiss’ live personality is as billed. He runs the gamut between spastic and serene, frenzied and stoic, and exuberant and somber. And apparently he inspires large adjectives. But that’s just further testament to the fact that he is as thought-provoking a frontman as there is in the muddled rock scene today.

The rest of the band did their jobs – they played their respective instruments skillfully and deferred to their engaging friend holding the mic. That’s not to say they were forgettable, though. Each member took his turn in the spotlight at least once, particularly drummer Richard Mazzotta on the final few songs of the set.

The crowd made it a much more enjoyable show. The band sounded a bit shaky on some of their new songs off “it’s all crazy! it’s all false! it’s all a dream! it’s alright” and the audience was hesitant to get too involved, but as soon as the first note of favorites like “Paper Hanger” sounded, the sweaty crowd was more than eager to shout along with the gravelly vocals and move around in the packed room. “January 1979” was a highlight as the audience got the most rowdy. But then again, uninvited stage dancers and crowd surfers tend to make any song more enjoyable from a bystander’s point of view.

Aaron breaking out the acoustic guitar and switching to a singing-not-yelling vocal tone made “In a Sweater Poorly Knit” a welcome change-up.

Also, whenever he strapped on the accordion there was fun to be had, whether it was by watching him sway back and forth holding a big old-fashioned instrument with a towel on his head or by listening to the way he fit the accordion’s unique pitch into the rest of the rich instrumental sounds.

Tuesday night made it clear that if every mewithoutYou album was streamed straight into the brain with an accompanying video of the band playing all the songs, there would be no doubt who the kings of experimental rock are. I’ll admit straight-up that I’ve never been a huge fan of the band. It’s always been more of a “Oh yeah, they write really deep songs. Cool.” thing than a “Man, I know every word to every song” thing. But I guess in experiencing the band’s collective persona live and seeing the guy in front of me with mwY lyrics tattooed on both his forearms, I started to realize that the hype about this band is legit.

We got there late (what else is new for me) so I only got to hear parts of two songs by The Dear Hunter, but from what I heard they’re pretty talented live musicians as I expected, and Casey Crescenzo’s voice was hair-on-the-back-of-my-neck-raising even in that abbreviated listen. That’s not an exaggeration for illustrative purposes, either – it happened.

While mewithoutYou was setting up we caught a few songs’ worth of Dear and the Headlights on the indoor stage. I’m familiar with their lead singer, Ian Metzger, from his days in the old Christcore band Justifide, but I haven’t followed him in Dear and the Headlights that much since he left Justifide almost a decade ago. I like their sound, it has kind of a dirtier indie rock vibe. Maybe I’ll try to catch their full set at Warped Tour in San Antonio in a couple weeks.

After the show, Doug and I spoke with Brandon from The Rocketboys and the guitarist from Hundred Year Storm. Both bands are featured in the new issue of HM – a review of HYS’s album and The Rocketboys in the Declaration of Independents section. They’re both really nice guys. You should check them out and read what we had to say about their bands in the new issue or as a digital copy.

I’ll give an update of all today’s happenings tomorrow, I think I’ve given you enough to chew on for tonight.

It ain’t that kind of party,
Corey Erb

“I stopped believing, you start to move / (She was like wine turned to water then turned back to wine) / I stopped my leaving and the better man bloomed / (And you can pour us out and we won’t mind)” – from “Paper Hanger” by mewithoutYou