HM Magazine Intern Diary: 7.30.09

Here it is… the last post before I head back to Illinois (before I head to Baltimore… before I head to Miami) so I’ll keep it short.

We went to see blessthefall and August Burns Red last night at Emo’s in Austin, and I can’t think of a better way to end my time here. Blessthefall was insane, the lead singer singing from hanging upside down from the rafters above the pit and 1-4 stage divers onstage at a time. August Burns Red was good too, especially since it was about 150 degrees in the pit and all the band members were fighting to keep from passing out.

I said goodbye to Kelly last night – and Kelly, if you’re reading, make sure this issue actually comes out, k? Ha I had fun this summer, hope you did too. (Follow her Intern Diary too, it’s better/less pointless rambl-y than mine.)

Thanks again to Tornado for the food for the road. If it wasn’t for you, Melissa and my mom sending me food I’d have gotten skinnier this summer haha.

I finished my Scream The Prayer Tour review Monday late so check it out if you haven’t and let me know what you think.

Here are the results to the survey so far:

You can still vote and I’ll post the results on my personal blog.

Which brings me to goodbye, follow my personal blog and Twitter if you like, and don’t be a stranger.

Peace,
Corey Erb

“Names is for tombstones.” – some dude.

HM Magazine Intern Diary: 7.10.09

Hmm, let’s forget about this week, ‘mkay?

Every time I said “Oh yeah, I’m gonna start writing my three stories now!” or “Oh yeah, I’m gonna post pictures from Warped Tour!” those were lies. Always something to keep me from doing either of those.

So, I make no promises for this weekend. I might make it out to the He Is Legend/Drop Dead, Gorgeous show at Emo’s tomorrow night, I might not. I might watch the Cubs-Cardinals game tomorrow afternoon, I might not. Who cares if it’s the only Cubs game I’ll likely get to watch before going home?

I got music for four more album reviews: Between the Trees, Hawk Nelson, Castanets and Skillet. So those will need to get done too, though again, the no promises thing.

I got a bunch of album reviews, including U2, The Devil Wears Prada, Emery and The Chariot from the last two issues posted, so there’s some proof of an accomplishment from this week.

Lord Save Us From Your Followers alternated between making me angry at being an American Christian and giving me hope that maybe all’s not lost, so it at least did a better job than most commentaries on Christian culture lately at not being completely depressing.

Have a better weekend,
Corey Erb

“Don’t use words too big for the subject. Don’t say ‘infinitely’ when you mean ‘very’; otherwise you’ll have no word left when you want to talk about something really infinite.” – C. S. Lewis

HM Magazine Intern Diary: 6.18.09

You may have heard me mention the mewithoutYou show in my last post or by reading one of my 341 Tweets from the venue, but in case you wanted more about that show, you’re in luck!

First off, let me say that Aaron Weiss’ live personality is as billed. He runs the gamut between spastic and serene, frenzied and stoic, and exuberant and somber. And apparently he inspires large adjectives. But that’s just further testament to the fact that he is as thought-provoking a frontman as there is in the muddled rock scene today.

Aaron Weiss

The rest of the band did their jobs – they played their respective instruments skillfully and deferred to their engaging friend holding the mic. That’s not to say they were forgettable, though. Each member took his turn in the spotlight at least once, particularly drummer Richard Mazzotta on the final few songs of the set.

The whole mewithoutYou gang

The crowd made it a much more enjoyable show. The band sounded a bit shaky on some of their new songs off “it’s all crazy! it’s all false! it’s all a dream! it’s alright” and the audience was hesitant to get too involved, but as soon as the first note of favorites like “Paper Hanger” sounded, the sweaty crowd was more than eager to shout along with the gravelly vocals and move around in the packed room. “January 1979” was a highlight as the audience got the most rowdy. But then again, uninvited stage dancers and crowd surfers tend to make any song more enjoyable from a bystander’s point of view.

Yep, those are feet sticking up above the crowd. Surfer dude down!

Aaron breaking out the acoustic guitar and switching to a singing-not-yelling vocal tone made “In a Sweater Poorly Knit” a welcome change-up.

An audience member sharing a tender moment with the Weiss brothers

Also, whenever he strapped on the accordion there was fun to be had, whether it was by watching him sway back and forth holding a big old-fashioned instrument with a towel on his head or by listening to the way he fit the accordion’s unique pitch into the rest of the rich instrumental sounds.

Interesting look...

Tuesday night made it clear that if every mewithoutYou album was streamed straight into the brain with an accompanying video of the band playing all the songs, there would be no doubt who the kings of experimental rock are. I’ll admit straight-up that I’ve never been a huge fan of the band. It’s always been more of a “Oh yeah, they write really deep songs. Cool.” thing than a “Man, I know every word to every song” thing. But I guess in experiencing the band’s collective persona live and seeing the guy in front of me with mwY lyrics tattooed on both his forearms, I started to realize that the hype about this band is legit.

Props, gentlemen.

We got there late (what else is new for me) so I only got to hear parts of two songs by The Dear Hunter, but from what I heard they’re pretty talented live musicians as I expected, and Casey Crescenzo’s voice was hair-on-the-back-of-my-neck-raising even in that abbreviated listen. That’s not an exaggeration for illustrative purposes, either – it happened.

While mewithoutYou was setting up we caught a few songs’ worth of Dear and the Headlights on the indoor stage. I’m familiar with their lead singer, Ian Metzger, from his days in the old Christcore band Justifide, but I haven’t followed him in Dear and the Headlights that much since he left Justifide almost a decade ago. I like their sound, it has kind of a dirtier indie rock vibe. Maybe I’ll try to catch their full set at Warped Tour in San Antonio in a couple weeks.

Dear and the Headlights

After the show, Doug and I spoke with Brandon from The Rocketboys and the guitarist from Hundred Year Storm. Both bands are featured in the new issue of HM – a review of HYS’s album and The Rocketboys in the Declaration of Independents section. They’re both really nice guys. You should check them out and read what we had to say about their bands in the new issue or as a digital copy.

I’ll give an update of all today’s happenings tomorrow, I think I’ve given you enough to chew on for tonight.

It ain’t that kind of party,
Corey Erb

“I stopped believing, you start to move / (She was like wine turned to water then turned back to wine) / I stopped my leaving and the better man bloomed / (And you can pour us out and we won’t mind)” – from “Paper Hanger” by mewithoutYou

HM Magazine Intern Diary: 6.16.09

So I guess I scared off the other intern with my verbal bullying yesterday so she decided her car was gonna break down so she can’t come in till Friday. Ha! I see right through that, you’re not fooling anyone!

Naw, I hope it gets fixed (and for free, I hate car maintenance costs) and she makes it here safely. (Ha I guess I really am mean, aren’t I?)

Anyway! I got interviews with Thousand Foot Krutch and Showbread set up and will be listening to both forthcoming albums soon to further prepare. I proofread several articles, columns and reviews that have been coming in lately as well.

This afternoon, I got a ridiculously random idea for a book I think I’m going to write (no, Doug, I’m not going to steal your unpublished novel). I made some notes as thoughts came to mind but I think I’ll sit on it for a while till I can make sure it wasn’t just that I got some bad granola this morning or something…

Doug and I are going to see mewithoutYou play at Emo’s in downtown Austin with The Dear Hunter and Bear Colony in a bit. I’ll admit I’ve never been the biggest mwY fan but I enjoy deep lyrics so I’ll keep an open mind especially for their live show. I can say I’m looking forward to seeing The Dear Hunter, though. It’s ex-The Receiving End Of Sirens guitarist/co-vocalist Casey Crescenzo‘s experimental rock band, and I’ll be interested to hear them live since the only two albums they’ve released are acts I and II of a six-act story about the birth (to a prostitute), life and death of a boy known as “The Dear Hunter.” I wonder if they’ll play songs more or less in order of the story, or if they’ll just play random stuff. Their new album comes out next week so I suppose they’ll probably play a good amount of new material and that may take precedence over concerns of chronology. We’ll see if they break out any of the various horns or strings live that they feature on studio material. I hear Crescenzo has a really good live voice too. I guess he produced and even co-wrote some of the music on Falling Up‘s latest album Fangs!, which is a concept album as well. I’ll let you know what I think of all of them, and post some pictures if you’re lucky – and assuming I can get there on time and without getting lost ha.

Sleep now in the fire,
Corey Erb

“Crimson hands, brandish words which masquerade / If you flee from grace your souls can not be saved” – from “The Oracles on the Delphi Express” by The Dear Hunter